Get ready to sleep with the lights on because Osgood Perkins is back with another chilling horror film, and this time, it’s Keeper—a movie that’s already sparking curiosity with its eerie marketing campaign. But here’s where it gets controversial: while Perkins’ previous films, Longlegs and The Monkey, divided audiences with their unique blend of psychological terror and atmospheric dread, Keeper seems poised to push boundaries even further. Neon, the studio behind the film, has a knack for crafting marketing material that’s as intriguing as the movies themselves, and Keeper is no exception. Remember how Longlegs raked in over $125 million globally, with $74 million domestically, making it Neon’s biggest domestic hit? Or how The Monkey, despite a less flashy campaign, still pulled in nearly $64 million worldwide? Well, Keeper is shaping up to be their next big gamble—and it’s already turning heads.
The marketing kicked off with a haunting promotional video titled It Has No End, followed by a poster featuring the chilling tagline, ‘I don’t like you anymore.’ And this is the part most people miss: when Neon shared the poster on social media, they included a quote from the 1894 song ‘I Don’t Want to Play in Your Yard,’ adding a layer of historical creepiness to the mix. Now, a new poster has dropped, and it’s not just any poster—it comes with a glowing endorsement from horror maestro James Wan. Talk about a stamp of approval!
Directed by Perkins from a script by Nick Lepard, Keeper stars Tatiana Maslany and Rossif Sutherland in a story that feels both intimate and terrifying. The plot follows a couple’s romantic anniversary getaway to a secluded cabin, which takes a dark turn when Malcolm (Sutherland) abruptly leaves, leaving Liz (Maslany) alone to confront an unspeakable evil lurking within the cabin’s walls. Think The Shining meets The Babadook, but with Perkins’ signature twist. Here’s the bold question: Is Keeper a masterpiece of modern horror, or will it fall into the trap of overhyped marketing? Let’s discuss in the comments.
Behind the scenes, Perkins and his producing partner Chris Ferguson recently launched their production company, Phobos, with backing from Neon. Under a first-look deal, Neon will handle theatrical releases in the U.S. and international rights for Perkins’ projects, ensuring his unique vision reaches a global audience. But with great creative freedom comes great scrutiny—will Perkins’ risk-taking pay off, or will it alienate audiences?
Keeper is set to hit theaters on November 14th, and if the buzz is anything to go by, it’s shaping up to be one of the most talked-about horror films of the year. So, what do you think? Are you excited for Keeper, or does the hype feel overblown? Check out the new poster with James Wan’s praise, and let us know your thoughts below. One last thought: In a genre often criticized for relying on jump scares, Perkins seems determined to dig deeper into psychological horror. Will Keeper redefine the genre, or is it just another cabin-in-the-woods tale? The debate is open—let’s hear your take!
